published pieces

accepted + forthcoming:

• Ableism and Abortion: The Exceptionalization of Fetal Disability in “Pro-Life” and “Pro-Choice” Pregnancy Narratives (peer-reviewed journal article)
• Ultra/Sound: The Anti-Abortion Movement’s Weaponization of Sonic Vitalism (peer-reviewed journal article)
• Nonconsensual Listening, Everyday Sexism, and the Mundanity of Trauma (book chapter)

for Online Abortion Resource Squad:

10 Ways to Get Involved in Abortion Advocacy

for Sounding Out!:

• Sounds of life: Fetal heartbeat bills and the politics of animacy
• Gendered sonic violence from the waiting room to the locker room

for The Log Journal:

• review of Ellen Reid’s p r i s m
• Interview with Thea Musgrave
• Interview with Kate Soper
• review of MATA initiative A Room of One’s Own
• #Hearallcomposers: Straining our ears, amplifying our voices
• Interview with Joan La Barbara

for New Music Box:

“This event is probably not unique”: On communication and metaphor in Robert Ashley’s Improvement

selected pieces for I Care If You Listen:

• review of Julia Wolfe’s Fire In My Mouth
• On gendered spaces in the new music world
• review of Pauline Oliveros’s posthumous ‘phantom opera’
• Interview with Soosan Lolavar
• “Currents”: Nouveau Classical Project at National Sawdust
• Interview with Sugar Vendil
• Interview with Listening to Ladies
• Ensemble Pi presents moving Black Lives Matter concert
• Tallinn Music Week
• Gibson’s Apparitions of the Four Pillars: 2016 Avant Media Festival
• Marveling in the human voice at Meredith Monk and Vocal Ensemble’s 50th anniversary
• Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk
• (ICIYL author page)

for American Music:

The Sonic Politics of the U.S. Abortion Wars

for Resonance: The Journal of Sound and Culture:

• “The Ripping Apart of Silence”: Sonic Patriarchy and Anti-Abortion Harassment
• review of Annoying Music in Everyday Life

for Scholars Strategy Network:

How City Policymakers Can Address Verbal Harassment at Abortion Clinics

for Journal of Interdisciplinary Voice Studies:

review of Sensing Sound: Singing and Listening as Vibrational Practice

for Music & Literature:

• Robert Ashley, Giordano Bruno, and the infinity of the everyday
• The “real child world” of Harry Partch: Partch’s Bitter Music & Delusion of the Fury

for St. Louis Symphony Orchestra:

• Playbill on Terence Blanchard’s Fire Shut Up in My Bones
• Program notes on Barber, Beal, Tchaikovsky
• Program notes on Wennäkoski, Salonen, Shostakovich

for VAN Magazine:

• Interview with Caroline Shaw
• Interview with Marina Abramović
• Hearing queerly: On the sexual politics of musical metaphors
• review of Meredith Monk’s Cellular Songs
• Interview with Du Yun
• review of Ultima Oslo Festival
• review of Ostrava Days Festival
• Interview with Annea Lockwood
• The sounding objects of Ellen Fullman and Theresa Wong
• Against the grain: Rethinking the voice with contemporary music
• Doom and womb: A feminist listening of Éliane Radigue’s Biogenesis
• Listening to homelessness: On Robert Ashley’s Dust
• On tour with the Baltic Sea Philharmonic

for Irritable Hedgehog:

Liner notes for Bryan Christian’s Each flows into the other

• Program note on Ashley Fure’s The Force of Things
• Playbill on Kaija Saariaho’s Only the Sound Remains

for Affilia: Feminist Inquiry in Social Work:

• review of Just Care: Messy Entanglements of Disability, Dependency, and Desire
• review of Everyday Violence: The Public Harassment of Women and LGBTQ People

for TEMPO Quarterly Review of New Music:

• review of Gelsey Bell’s & John King’s Ciphony
• review of Postopera: Reinventing the Voice-Body
• review of Tristan Perich’s Surface Image & Meredith Monk’s Piano Songs
• review of Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording

selected pieces for Bachtrack:

• Interview with John Adams
• Kaija Saariaho’s L’Amour de loin triumphs at the Met
• Jessie Montgomery première shines among the classics at Carnegie Hall
• New Opera Days Ostrava
• Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk
• Either/Or plays For Philip Guston at Issue Project Room
• Bang on a Can and New York Philharmonic bring enormous new works to the Biennial
• David Lang’s whisper opera: Intimate impossibilities at the Mostly Mozart Festival
• John Cage’s HPSCHD: Living art at Eyebeam in NYC
• Stockhausen’s Oktophonie incites intergalactic panic attack at the Park Avenue Armory
• Transcendent November in March: An early minimalist classic in New York
• (Bachtrack author page)

for Opera Today:

• Andriessen’s De Materie at the Park Avenue Armory
• Robert Ashley’s Quicksand at the Kitchen
• review of Coughing and Clapping: Investigating Audience Experience
• Voices, voices in space, and spaces: Thoughts on 50 years of Meredith Monk